Bubble Shows for Adult Parties and Celebrations (Script)

The script's sequence is similar: from the smallest to the largest bubbles. And in the end we perform the Human inside Bubble Act.

It is difficult to structure a bubble show otherwise. We cannot place a human inside a giant bubble and then show the audience 5-10 cm bubbles. They just won't like it.

The classic bubble show for adults is very similar to magic tricks and dancing, because of similar moments. In this case the script is interwoven with the artist's image and a character selection.

So the sequence begins right after you've been commissioned for the show. As for me, I try to arrive to the venue a half an hour prior my show. Therefore, I often wait for my part for over half an hour.

The act itself goes like this: the artist does his/her bubble tricks. During the act, the artist does not say anything and shows off all his/her emotions with facial expressions and body language. You can dance, sing along but only if it is in harmony with your show.

The show will go with a bang if everyone sees that the artist loves his/her job, that performing in front of an audience makes the artist happy and pleasant to look at.

When an artist acts as if under the whip-lash, you won't even want to look at him/her. A learned robot-like motions are a bad idea. The show must go on smoothly and harmoniously.

I try to appear on stage with the first chords of my soundtrack. I'm announced, the music starts and I'm out.

It is much better if the audience did not see me in the room prior to this point. This looks professionally. It doesn't always the case. Sometimes you have to go through the entire room to get into the dressing room.

I appear to the music and I begin to blow small bubbles. The show contains both complex tricks and just making bubbles.

If we just do the tricks, it will look boring, because the trick takes a certain amount of time. At this time, the viewer is trying hard to understand the purpose of what is happening on stage. Tricks with bubbles in the script are interesting, but it would be better to add the flying bubbles. Therefore, the script for adult event is structured by alternating tricks and simple bubble blowing. The show is easier to understand this way.

I usually divide the show script into blocks, not everyone does it, but I do. I know the sequence of my blocks. Within a block, I can swap its elements. For example, you've shown your hand-made bubbles, so forget everything associated with hands. If you forget to do something and began to another block, do not come back to the previous one.

When we move to larger bubbles, the returning to the smaller ones does not make any sense.

If my action plan involves a glowing table (Props, Glowing Table), I shorten the blocks of medium and small bubbles. The script reduction is made due to the number of elements.

Tricks on a glowing table are shown in the middle of the act, immediately after the hand-made and small bubbles and before the giant bubbles.

I have two scripts. The one with a glowing table and the other without it. The glowing table works better in dark rooms or when it gets dark outside.

The price of such programs varies. The act with a glowing table is more expensive, but this is not the only reason. After all, apart from the table I carry my lighting equipment, a huge bubble generator, a smoke generator, a lighting console. Besides, it includes the work of a lighting engineer.

I live and work in Siberia. In the summer it gets dark at eleven pm. At this time, usually, all events are finished. The venues with dim-out facilities are scarce in Omsk. Therefore, the glowing table is rarely in script in the summer time. I know that in the south of Russia and in the highlands it gets dark at eight or nine o'clock in the evening. It's cool, you can safely use the glowing table. For us this prop is a great for Christmas corporate events and spring time.

You can also use effects generators and lighting equipment in the script. Your assistant (Bubble Artist's Assistant) will help you in this.

The bubble generator can be used during the artist's appearance and exit. I have an article dedicated to bubble generators – Overview of Bubble Generators for Bubble Shows.

After the act, according to the scrip, there goes an interactive part. We call on the stage the heroes of the occasion – a couple, the hero of the day or a company chief, if it is a corporate event.

It sometimes happens that when you start to blow bubbles something does not work the first time. While I correct some problems with the props, make your guests applaud. You face should say – let's clap and everything will turn out.

After the master class place the hero of the day inside a bubble (Props, Human Inside Bubble Set), and then all guests must also "visit" the bubble.

If guests are not active enough, you just come up to their table, take them by the hand, lead them on, put them on the tray and do you thing. I never limit myself in time when putting guests inside bubble. While the guests want it, I'll work. The exception may be a situation where there are another 10 artists are waiting for their turn to present their shows.

If the show-ballet is waiting for their turn, it will be disrespectful to them. And if I'm the only artist then why not. There are props, my assistant gets paid, and I like my job. I just know that the guests will be satisfied, and I will be very pleased too.

Ideally, find the words to make them applaud again. For example: "My act has come to an end, there is still a very interesting part ahead, when we all go inside the bubble, but I want to say thank you for being such a grateful audience, I applaud you. Thank you!!! "After that, it is necessary to get rid of the microphone and do the human inside bubble part. After the last guest has been inside a bubble the artist bows and takes a leave.

In the adult event, like a wedding or an anniversary, my show blends into the celebration script.

If your act is a part of a large event, for example, in some concert hall or at the mall, make sure to include both the act and the human inside bubble. You can skip the master class.

You will put a person from the audience inside bubble, or you can agree with some person from behind the scenes, who'll just come out of the wings, and you'll put him/her inside the bubble. That's where the script ends.

During the mass events, where the audience is on their feet beware of a stampede. Especially if there is a lot of people and the stage is low.